By Charles Ferrall
Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis used to be a reaction to the separation of paintings from an more and more industrialized society. Fascism grew to become appealing to those writers since it promised to reintegrate artwork into society whereas at the same time making certain its autonomy. but aside from Pound and Yeats, those writers all ultimately rejected fascism, who prefer in its place to determine the cultured as a sphere in everlasting competition to liberal democracy, instead of the root for a brand new social order.
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